Latest update March 21st, 2025 7:03 AM
Feb 25, 2009 Letters
Dear Editor,
Last Saturday (21-02-09) night’s “Mashramani Panorama” at the Cliff Anderson Sports Hall was for me an unforgettable, uplifting experience.
I felt the positive power and recognised the potential national benefit of healthy competition among the young and not so young alongside senior citizens; the pride in performance akin to stuff that move nations from “good to great”.
The competition included school bands, church bands, quintets and 7- a-side combinations; spiced with the sweet soothing effect of pan soloists which triggered a surrendering of the spirit while embracing an offering of tranquility for the human soul, as enthusiastic participants attempted to woo the audience and convince a competent panel of judges they deserved to be first.
I was entertained by a religious band led by a white-haired conductor who reminded me of the Chen Sing and Silver Fox martial arts screen era whenever he adjusted his stance and leaped to signal a crescendo; another conductor decked out in locks or braids was cool, compelling and precise; yet another who seriously buckled down to his task almost immediately after apparently throwing a tantrum at the competition organisers; oh, the school bands were stirring, in particular, the conductor “Sir” in the red jersey.
How exhilarating it was to observe his baton deliver musical magic that would have sent Harry Potter back to Hogwarths to reprogramme his wand.
I observed: – Church bands sounding “Great in God’s faithfulness” eagerly edged on by their respective cheering section (who said religion wasn’t fun?)- Supportive parents, relatives, lovers of pan.
Five black jersey judges who remained “pleasantly somber” while their patience was tested by having to change direction from north to south and south to north several times, along with the meticulous tabulator scores and her assistant, often producing images of musical chairs.
The result would subsequently be passed on to the programme’s “hat and hatless”, talented master of ceremony who did an excellent job.
– A young solo performer who started nervously but eventually buckled down to her task to take the second spot; A “little man” so full of confidence that he contemptuously threw his “sticks” over his shoulder satisfied he had secured first place. I wondered about the absence of amplification for solo performers who had to compete with the sound of a generator on the eastern side of the venue. Maybe it had to do with the rules of the competition
– A seemingly satisfied Minister of Government and senior representatives of the event sponsors exchanging pleasantries in the northern balcony.
Nestling among hundreds of spectators in the Eastern benches was a VIP booth which accommodated a Permanent Secretary and about five other gentlemen whose military-like posture as they concentrated on the proceedings seemed to transform the enclosure into a reviewing stand.
Mashramani Panorama 2009 revealed the free spirited, resourceful and resolute Guyanese/West Indian fabric that keep our society together in the face of numerous challenges.
The event sent a resounding “yes we can” to those who sometimes ponder as to whether Guyanese can still be creatively one people as well as one nation. I think we can reflect on the Mash steel pan competition from two perspectives: Great entertainment including innovative theatricals ; or on the other hand, the boundless possibility of applying a potentially successful formula of public/ private/ faith-based partnerships to our Nation’s development process.
Whichever is chosen, I hope we wouldn’t have to wait ‘til Mash 10 to similarly benefit from steel drums that bend.
Derrick Cummings
Mar 21, 2025
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